
FLAC (tracks), Lossless | 1:20:45 | 221 Mb
Classical, Instrumental
An oceanic dialogue between two composers from the first wave of the modern musical era: such is Aline Piboule’s daring new solo venture. Here the epic La Mer sprays its rainbow of colours as idiomatically as if Debussy had written it for solo piano, like D’un cahier d’esquisses and the famous Clair de lune. In echo, John Ireland’s piano triptychs, Sarnia and Decorations, conjure up the Channel Islands in bewitching musical poetry.
Tracklist
1. Sarnia, An Island Sequence: No. 1, Le Catioroc. Quasi lento (8:12)
2. Sarnia, An Island Sequence: No. 2, In a May Morning. Con moto moderato (7:02)
3. Sarnia, An Island Sequence: No. 3, Song of the Springtides. Allegro comodo (6:58)
4. Nocturne in D-Flat Major, L. 82 (6:43)
5. Suite Bergamasque, L. 75: III. Clair de lune. Andante très expressif (5:38)
6. D’un cahier d’esquisses, L. 99 (5:27)
7. Decorations: No. 1,The Island Spell. Allegretto (4:06)
8. Decorations: No. 2, Moon-Glade. Poco lento (3:54)
9. Decorations: No. 3, The Scarlet Ceremonies. Con moto (3:16)
10. La Mer, L. 109 (Arr. for Solo Piano by Y. Ollivo): I. De l’aube à midi sur la mer. Très lent (10:08)
11. La Mer, L. 109 (Arr. for Solo Piano by Y. Ollivo): II. Jeux de vagues. Allegro (9:06)
12. La Mer, L. 109 (Arr. for Solo Piano by Y. Ollivo): III. Dialogue du vent et de la mer. Animé et tumultueux (10:22)
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