你是否手动插入子段的连续视频并且为了避免在重点部分插入无价值部分而另开新的客户端？在此教程，资深运作视频与After Effect专家Chris Meyer分享他的独门诀窍运用白燥连续镜头并创建更加令人叹服专业性的作品。PengQ(特殊组–翻译)
Lynda – Premiere Pro and After Effects: Enhancing Production Value
English | Mar 25, 2014 | .MP4 | Audio: aac, 44100 Hz, stereo | Video: h264, yuv420p, 1280×800, 29.97 fps(r) | 1.12 GB
Have you ever been handed substandard footage and have a client expect you to spin this straw into gold? In this course, motion graphics veteran and After Effects expert Chris Meyer shares his favorite tricks to take boring footage and create a more professional, compelling result.
Most of these tricks can be performed inside Adobe Premiere Pro without the need for third-party effects. Some techniques also use After Effects, taking advantage of Dynamic Link, which makes the changes appear directly in your Premiere Pro timeline. The results add polish and production value—without missing deadlines or blowing the budget.
This course was created and produced by Chris and Trish Meyer. We are honored to host this content in our library.
Compositing footage shot on black
Tinting and color-balancing footage to change its mood and unify multiple clips
Adding a filmic glow
Introducing artificial lighting to add mystery and interest to a scene
Relighting existing footage
Using the Warp Stabilizer and Rolling Shutter Repair to smooth out wobbly shots
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